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  • Recovering your furniture? Choose your upholsterer carefully

    Recovering your furniture? Choose your upholsterer carefully

    When you furniture is looking tired and out of date, you can
    give it a new lease on life with re-upholstery.
    Re-upholstery is the technique of repairing old furniture
    like recovering a chair, replacing the springs and or foam inside a seat or
    repairing the joints etc.
    Re-upholstery means extensive reworking of all the springing
    and padding, recover means the furniture is generally in good condition and
    just needs the fabric changed.
    To see your furniture restored to its former glory can be
    very satisfying and can be cost effective when the furniture is of a quality
    worth recovering.
    Cheaper furniture is generally not worth recovering because
    the frames and padding are rubbish so would have cost less to buy new then it
    would to recover, good quality furniture however is very much worth the effort
    because to replace such furniture would cost more than to recover it and
    another advantage is that you have far more fabric choices available when you
    recover as opposed to buying new.
    It is very rare that a piece cannot be restored, whether
    modern or antique.
    Recovering your furniture is often the way to go as you’re
    not going to have to compromise on the style of furniture because of limited
    choices on offer when buying retail. It allows you to keep the furniture you love
    and know works well in your house and make it as new again.
    Reupholstering gives you the opportunity to personalise your
    furniture using quality materials and perfected trade techniques that will give
    you a piece that will last a lifetime.
    At Cover It Upholstery Sydney when we recover any furniture
    we also make sure that all the necessary repairs are done and padding added or
    replaced where needed, this is all part of the service when you have your
    furniture recovered by Cover It.
    When the furniture is in a fairy poor state we would need to
    re-upholster it first before covering it and this would be at an added cost but
    is always determined at the time of quoting and there are never any surprises
    at the end, what’s quoted is what’s paid.
    There are big differences in what upholsterers consider part
    of the job when recovering a customers furniture and many will not do anything
    extra in terms of springing or padding etc and will just recover it as they
    find it.
    At Cover It Upholstery Sydney it goes without saying that we
    make sure everything underneath the fabric is sound and will last the expected
    time you should get from your recovered furniture.

    So when getting quotes to have your furniture recovered,
    offcourse you’re going to find cheaper quotes, and if you keep on looking will
    find ones even cheaper than that, but you must ask yourself why that is, why
    are they willing to do the same job for less? We all have the same overheads in
    terms of factory space, utilities, staff, advertising etc etc, so therefore need
    the same amount of money each month to survive. The only way you’re going to be
    able to do jobs for cheap is if you do them twice as fast… Do you want your job
    to be completed twice as fast??
    Below are a few before and after photo’s of recent jobs, for more visit www.cover-it.com.au

  • Quality Workmanship… goes without saying

    At Cover It Upholstery Sydney we don’t need the below instructions from fabric suppliers.
    Having been in the industry as long as we have and seen the workmanship offered by many others, it’s no wonder the suppliers feel the need to include these with their rolls of fabric… 

    Seam Slippage
    Prevention
    It is the
    responsibility of the furniture
    manufacturer/upholsterer
    to employ a
    seam construction,
    needle type and
    sewing thread which
    is appropriate for
    the fabric and
    furniture design. Different
    fabrics for the
    same design of furniture
    may result in varied seam
    constructions,
    different seam
    tension areas also require
    different seam
    strengths. The rupture of
    a seam due to seam
    slippage is generally
    not a fabric fault.
    A minimum of 10 to
    12 seam stitches
    per inch (25mm) is
    required along with
    a minimum of
    13mm seam
    allowance. It is
    recommended that
    the seam of any
    woven fabric, which
    is liable to fraying
    be overlocked or
    otherwise secured.
    In some instances
    additional
    strengthening of
    high load seams may
    be required. This
    must be done at the
    manufacturers
    discretion after testing
    individual fabrics.
    The fabric supplier cannot
    be held responsible
    for manufacturers/upholsterers
    oversights.
    Pile Loss
    It is recommended
    that pile fabrics such
    as velvets and some
    chenille’s are not
    upholstered
    directly on to foam surfaces.
    It is advised all high
    wear areas are
    covered by Dacron
    or calico to prevent
    pile loss due to
    friction between the
    foam and the
    fabric.
    Manufacturers
    Responsibility
    All care is taken
    when selecting fabric
    qualities for the Australian
    market.
    To eliminate
    problems such as seam
    slippage and loss
    of fibres from pile
    fabrics, the fabric
    supplier request the
    following to be
    taken into account

    and be carried out where required.

  • FABRICSLEATHER

    FABRICSLEATHER










    FABRICS
    LEATHER

    Everyone
    visualizes the transforming effect of the fabric on a re-created sofa or chair.
    You could say the fabric “is part of the fun” of reupholstering.
    Fabric has character and personality. It speaks for your taste, your style. And
    in your own home, it can be as personal and individual as your signature.
    Fabric is
    also one of the two big costs in Re-upholstery (the other is labour). So it’s
    important to get good value as well as good fashion. The bigger the choice, the
    better the chance of finding a fabric that suits both your decor and your
    budget. This is where Re-upholstery gives you the benefit of rich variety and enormous
    volume. The selection is practically endless.
    There are literally thousands of samples to choose from,
    imported and domestic, when combining the resources of all the fabric
    suppliers, all in different grades of quality.
    How do you judge for wear?
    As a general rule, tightly-woven fabrics and fabrics that
    are heavy will stand up to wear and tear better, as will leather. Fabrics such
    as satins, brocades or damasks are more delicate, and should be reserved for
    places where they’ll get less use or for soft furnishings such as scatters.
    For example, one square inch of fabric with 8 or 10 thick
    threads doesn’t have the strength of one square inch densely packed with 30 to
    40 thin threads. To check a fabric yourself, hold it up to the light. The less
    light that shows through, the tighter the weave.
    The Australian standard for
    measuring the durability of fabrics uses the Martindale Rub Test to recommend
    the end-use of the fabric.
    Fibres also make a difference in wear. Natural fibres, like
    cotton, take colour differently from man-made fibbers. They can be richer, more
    subtle. While the man-mades have resilience and strength. That’s how the blends
    came into use. So cotton with polyester, for example, gives you the best
    attributes of both. Other blends will use nylon, acrylic, and rayon. And
    man-made fibres alone (far advanced over the earlier versions) make many
    attractive long wearing pieces.
    The appearance of certain textures will vary with use.
    Fabrics with a nap, like velvets, corduroys and faux suedes look different in
    different lights, and show wear where they’ve been sat upon. Silks are more
    delicate, but many are fortified with man-made fibres. And fabrics with highly
    textured surfaces like loopy tweeds and homespun’s can “pull” after a
    while. For cleanability, each fibre has its compensating feature. Natural
    fibres absorb soil faster than man-made fibres, but clean better. While
    man-made fibres are more soil resistant, but don’t always clean as well. Many
    fabrics are treated with soil-resistant finishes, but the finish doesn’t last
    forever, so be prepared after a time, to have the upholstery cleaned and the
    stain repellent reapplied.
    Full grain leather
    Full/Pure Aniline Leather that’s been drum dyed without
    pigment applied to the surface. A light protective coating is sometimes added
    to enhance appearance and offer some protection against wear and soiling. It
    will exhibit all natural features such as scars, growth marks, fat wrinkles and
    brands.
    ·    
    The most
    natural leather exhibiting all natural markings and colour variations within
    the hide and from hide to hide
    ·     Will breathe and be warm in winter and
    cooler in summer
    ·    
    Soft to
    handle
    ·    
    Lower light
    fastness and
    if
    not protected will potentially
    fade more quickly than more
    highly processed
    leathers
    ·     Susceptible to soiling if used in high traffic areas.
    ·     Suitable for formal
    living areas.
    Requires regular care.
    Pull! Up Aniline Drum dyed aniline leather
    with a topcoat of oil and wax effects, designed to exhibit a ‘distressed look’.
    ·    
    Will breathe
    and be warm in winter and cooler in summer
    ·    
    Lightens in
    colour when stretched to produce a distressed effect, particularly in seating
    areas
    ·    
    Wax or oil
    effects can be evened out in appearance by hand rubbing the surface.
    ·    
    Suitable for
    formal living areas. Requires regular care!
    Nubuck (leather suede) Drum dyed aniline
    leather where the surface grain has been buffed to give a fine, suede-like nap.
    Nubuck requires a clear protective coating
    to provide liquid repellence. Suede-like finish
    ·Requires specific care products
    ·Suitable for formal living areas. 
    ·Requires regular care with Nubuck specific
    care products.
    Semi-Aniline Drum dyed leather,
    incorporating a small amount of pigment and protective finish so as not to
    conceal the natural characteristics of the hide. High light fastness
    ·    
    Soft, but not
    as soft as Pure Aniline
    ·    
    Durable
    · 
    Retains natural grain appearance • Easy to clean.
    · 
    Suitable for formal, family and dining areas. Requires regular care.
    Pigmented Drum dyed with a thicker layer of pigment
    and protective finish applied to create an even colour and texture. Higher
    light fastness
    ·    
    More durable
    ·    
    Easier to
    clean
    ·    
    Easier to
    care for
    ·    
    Surface
    covered with pigment
    ·     Not as soft as Pure Aniline or Semi Aniline
    ·      No
    natural appearance or characteristics.
    ·      Suitable for formal, family and dining areas.
    Requires regular care!
    Corrected Grain Drum dyed with the natural grain removed; a
    layer of pigment or protective finish is applied. The leather is then embossed
    with an artificial grain to provide a uniform appearance.
    ·    
    Higher light
    fastness
    ·    
    More durable
    ·    
    Easier to
    clean
    ·    
    Easier to
    care for
    ·    
    Surface
    covered with pigment
    ·    
    Not as soft
    as Pure Aniline or Semi Aniline
    ·     Grain pattern is stamped onto the surface
    leaving no natural appearance or characteristics.
    ·     Suitable for formal,
    family and dining areas. Requires regular care.
    B. Reconstructed
    Leather
    Finished splits Re-coated corrected grain pigmented leather
    made from the more porous under layers of hide.
    · 
    Embossed to mimic grain leather
    · 
    Less durable than grain leather
    · 
    Firm feel
    · 
    Easy to dean
    · 
    Suitable for small section office furniture such as office chairs and
    stools, dining chairs and carcass (frame and surrounds) of lounge suites.
    Requires regular care.

    Note: There are many examples
    of leather advertised as “By
    Cast” or “Bonded”.
    This is where a laminate is applied to the
    more porous under layers of the hide.
    Although this type of product is often
    advertised as By Cast leather or Bonded leather, it is not considered to be leather and should not be sold as such. This rubbish will peel and flake after around 2 years of domestic use.
                     

  • Why Recover or Re-Upholster your furniture

    WHY RECOVER

    If you like your old furniture why not recover it.
    There are several factors to keep in mind when considering
    recovering your furniture.
    The main ones to consider are: recover v new, the frame
    quality, the advantage of fabric choice, whether to recover or re-upholster.

    Recover v new

    It is often cheaper to recover an existing piece than to buy
    a new one of comparable quality. A quality piece of furniture would be
    more expensive to replace than to recover, therefore if buying new or custom
    made furniture you should buy the best quality that is affordable because your
    purchase is amortised across many years and will have good enough “bones” to
    have it recovered from time to time. Inexpensive furniture can break, pop
    springs (although cheap furniture wouldn’t have those), and look worn and out of
    shape within a couple of years due not only to poor quality frames but also
    because the foam padding and fabric generally won’t stand up to frequent
    use.
    A lot of retailers will guarantee the frames for 10 years, which sounds great but should there be a problem it will often be claimed to be due to the furniture not being treated right and the other 2 main components that make up your furniture, the padding and fabric are not guaranteed for very long at all. 
    High quality foams such as Dunlop Enduro are guaranteed for life or 10 years for domestic use. Retailers of cheap furniture will not use this foam.
    Workmanship, foam and fabric is generally guaranteed for a year when buying a new lounge suite. When you have your furniture recovered by Cover It Upholstery Sydney we guarantee workmanship for 10 years, and only use Dunlop Enduro foam for all extra padding or for when we replace seat, back or arm cushions. Fabric companies will give a maximum of 3 years warantee for domestic use which is standard but good quality fabrics can easily last 15 to 20 years. Cover It Upholstery Sydney can recommend and advise you on the right fabrics to suit the kind of wear your furniture can expect to get over it’s lifetime.
    Repeatedly buying cheap new furniture might seem like a good idea in the short term but in the long term will actually cost you more. 
    With our planet’s resources already stretched due to our throw-away society it will not only save you money, but may also help save our planet!

    Quality frame construction 

    Good frames are made from hardwood or a quality plywood at
    least 25mm thick, or a combination of both. They should be joined with double
    dowels and support blocks and screws. A quick way to test the quality of the
    frame in your furniture is to lift it, if made from hardwood it will be heavy,
    and if the furniture is 10 or more years old and has very minimal or no
    movement it is also an indication of a well constructed frame.
    Frames made with metal braces, and those where staples are
    used without dowels are generally not the best. The wood used in such frames is
    usually of a lesser quality and doesn’t wear well.
    If however you have such a piece and are fond of it because
    it has a style you like and couldn’t find again, or it fits a particular space
    etc, it can be repaired and strengthened so that it will last as long as any other hardwood frame.

    The advantage of fabric choice

    The choices of fabrics available are practically endless and
    you will be able to find exactly the right fabric to suit your decor and your
    budget.
    When selecting fabric it is important to take into
    consideration the amount of wear it will need to withstand. There are natural
    and synthetic fabrics, and off course leather.
    As a general rule synthetic fabrics are more durable,
    colourfast and soil resistant than natural fabrics but once stained also harder
    to clean. Natural fabrics absorb stains easier but are also easier to clean
    than synthetics. Natural fabrics take to dyes differently and can be richer,
    more subtle. Therefore a combination of synthetic and natural gives you the
    best of both. Fabrics can be treated with soil-resistant finishes but the
    finish doesn’t last forever so the fabric should be cleaned from time to time
    and the treatment re-applied.

    Recover or Re-Upholster

    If your furniture is in good condition and the springs and
    padding are still in good shape, a recover is all that would be required.
    If you find the springs and/or padding is in bad shape it is
    best to fully re-upholster the furniture, which means, repairing/replacing
    springs and to re-pad with new quality padding, whether traditionally or with
    modern materials such as foam.
    It is best to use the top quality “High Resilience” foams
    rather than the standard type if the furniture is to be in a frequent use
    situation.
    Below
    is an extract from an article describing the benefits of having a traditional
    Club lounge recovered.
    … she has a good eye for a bargain; so she was very
    excited when she found a fantastic 1930s-era Club lounge suite by the side of
    the road in a recent council clean up. Although the suite had seen better days,
    she thought it would be a crime for such a treasure to go to the tip. Instead,
    she decided to have it restored by a professional upholsterer. It was recovered
    with Gosh Australian leather in ‘Glenrowan Bark’, which has a soft, suede-like
    finish.         
    She
    found an upholsterer and accepted a quote, making sure it included all the work
    to be done. One company may be cheaper than another, but this usually means
    they’re not listing hidden extras such as casters or wooden detailing or other
    materials, or doing the job right.
    You
    can choose from a range of fabrics and vinyls, but the most luxurious covering
    has to be leather!
    The
    three-piece suite cost $5800 to restore. This sounds expensive, but buying a
    new quality modern lounge suite can cost in excess of $8000, and you’d never be
    able to buy a classic 1930s Club lounge for that price. The reconditioned
    lounge suite was independently valued at $12000.
    Original
    cost: free
    Cost
    to restore: $5800
    Valued
    at: $12000
    Profit:
    $6200
                     
  • The History Of Upholstered Furniture Part 5

    5
    LINTERS.
    Is actually compressed flock, and can be procured in rolls.
    The
    approximate weight of one roll 24″ wide is
    approximately ll lbs. Linters like coconut pads are used mostly on double and
    single action beds. It is also a very popular stuffing material for spring unit
    cushions. The advantage of using linters is that it does not have to be teased,
    and like the fibre pad, can be cut to various shapes and sizes. In the motor
    industry it is sewn-to hessian, and is known as “Batt”.


    FOAM RUBBER
    Using
    Latex Foam

    Latex foam is made from Latex, which comes from the rubber
    tree, most of which are grown in the Far East. The greater proportion of rubber
    leaves the country in which it is produced, in solid sheet form, but for Latex
    foam manufacture it is shipped in its natural form as a liquid.

    At the manufacturing plants, very small quantities of
    stabilisers,
    falcanizing agents, and setting fluids are added to the
    Latex, and the compound whipped to a creamy froth in large whisking machines.
    The whipping results in the formation of the interconnecting cell structure.
    The texture and firmness of the finished material are
    controlled by
    this whisking process, and the more air bubbles there are,
    the lighter and softer the finished products. When the foamed mass has reached
    the consistency required it is poured into metal moulds of the desired shape
    and heated under controlled conditions to give it its final shape and
    resilience. The Latex foam is then stripped from the mould, washed and dried.
    Latex foam must be stored away from the direct rays of the
    sun as it perishes and crumbles when subjected to this treatment.

    Since Latex foam came onto the market during the 1930’s it
    made rapid strides as a cushioning material for upholstery, and more and more
    each year was being incorporated in settees, chairs, stools etc.
    The main reason for this phenomenal growth was:
    That it does not sag or lose its shape.
    That the shape interpreted by the upholsterer and required
    by the designer will remain the same throughout the years. No longer is it
    necessary for the upholsterer to allow for sinking after use.
    There is nothing to wear out or go wrong.
    Latex foam does not make dust.
    It has a fine tailored appearance when upholstered.

    Methods of using latex foam.
    Mock cushion seats in chairs or settees.
    Most chairs and settees are made so that stock sizes of
    rubber
    cushioning will fit without cutting and shutting, and gluing
    together, and
    the most common sizes used at 20”x20”x2”or4” and
    20”x23”x2”or4”. On mock cushion seats these rubbers are generally used on top
    of the conventional web sprung and canvas seats, and are taped with strips of
    tape specially manufactured for sticking to rubber or strips of calico glued to
    the rubber with special solution. These tapes are used for the purpose of holding
    the rubber in place by tacking to the sides of the frames.

    POLYURETHANE FOAM
    In today’s furniture polyurethane foam is used. There are many
    different grades and qualities available.
    Today’s premium quality foams are a superior alternative to
    the old types of padding when used correctly and in the appropriate densities.



  • The History of Upholstered Furniture Part 4

    The History of Upholstered Furniture Part 4

    4
    PADDING
    MATERIALS.
    Since
    the advent of upholstered furniture some 400 years ago the
    upholsterer
    has been constantly striving to improve the comfort of the
    various
    pieces of upholstered furniture designed during his own particular
    lifetime,
    and for many years the comfort of the upholstered product depended entirely on
    the ability of the craftsman. However, with the discovery of foam rubber and
    synthetics during the last thirty years the work of the tradesman upholsterer
    has been made much easier. It cannot be denied that although many synthetics
    have made much headway into the upholstering industry, many of the stuffing
    materials used during the last 400 years are still being used in the upholstery
    industry. This has been brought about by the reproduction periods of many of
    the antique pieces of furniture made by craftsmen in previous periods. This
    type of furniture calls for first and second stuffing’s stitched edges, and
    cushions filled with stuffing materials, which have been used as cushion
    filling materials for many years, and are still in demand, by a big section of
    the upholstery buying public. We also find that many of these materials are
    used in conjunction with the synthetics of today, let us therefore study some
    of these stuffing materials and see what influence they have
    had
    on the trends of upholstery design.
    Flock
    Until
    the advent of Latex rubber, flock was perhaps the most sought after stuffing
    material on the market. As a filling on its own it was not satisfactory as it
    has a tendency to go hard and flatten out. However, when used in conjunction
    with a seat sprung with spiral springs, and if applied evenly and expertly by a
    craftsman, could be moulded into quite a comfortable seat or back. This
    material is made from fumigated rags, which are in turn teased in special
    teasing machines. Care must be taken when applying this stuffing material to an
    upholstered piece of furniture to ensure that all foreign matter is removed,
    and that the flock is completely free from lumps. Most upholsterers tease the
    flock in boxes with a stick before applying it to the actual job.
    One
    of the disadvantages of using flock is that should the outside
    covering
    material need cleaning, and cleaning fluids be applied then there is a
    possibility that the dye from the flock could be drawn through the cover thus
    ruining perhaps an expensive piece of material. This has often been the case
    when people have used shampoos to clean various pieces of upholstered
    furniture.


    Horse Hair

    An
    old timer that ruled supreme as a stuffing material for many 
    years
    was horsehair. It is very resilient, and is still used by many 
    upholsterers
    as a first stuffing for many types of upholstered furniture.
    However,
    as in most things there are numerous qualities. The cheaper varieties consist
    of short hair with little resilience. Owing to the scarcity of horsehair, quite
    a lot of it, which is used at present, is reconditioned, and re-teased. It is
    often procured from old unwanted chairs and settees, and if washed sterilized
    and re-teased, can be used, irrespective of age, on fully upholstered furniture
    without any loss of its former resilience.
    Horse
    hair is washed and sterilized by various methods, and after 
    these
    processes it is twisted into rope, forming the curl, which is retained 
    throughout
    its life, thus supplying the resilience and springiness so
    essential.
    A large proportion is dyed black, whilst some is left its natural 
    colour.
    These are called black and grey hair, but the colour is not so 
    important
    as the length and curl. The shorter the hair the less the curl, and therefore
    the less resilience, and the greater the quantity required to obtain good
    results. Care must be taken when using horsehair as a stuffing material to
    ensure that it is completely covered with flock or linters, and should there be
    a laxity in this operation; the hair finds its way through the cover to the
    discomfort of the person sitting on it.

  • The History of Upholstered Furniture Part 3

    The History of Upholstered Furniture Part 3

    3
    Today
    our love of comfort is as great as that of’ the Victorians
    but
    our way of life has changed, so that in the designing of chairs for today we
    must assess these needs, and find the best way of solving them. Our rooms are
    smaller than those of the past, and the
    amount
    of time required in running a home reduced to a minimum.
    furniture
    therefore should take up minimum of space without

    Sacrificing
    any of its usefulness and comfort.

    SEE WWW.COVER-IT.COM.AU FOR MORE

  • The history of upholstered furniture PART 2

    2
    Chairs became more elegant and graceful and were designed to enable the ladies and gentleman of the age to the up the elegant posing attitudes that were so popular.
    There was en elegance about the whole of this latter half
    the 18th century, with its finely proportioned streets, buildings, costumes and furniture.
    The coming of the19th century saw the beginning of many change that were to alter not only the face of Briton, but the way of life of
    millions of people. machines were to bring a new wealth, as well as
    new methods of manufacture; the population was to double in less than
    50 years, and the demand for cheap food, clothes and furniture, and
    homes were to reach heights previously undreamed of. The first year of
    the century Saw the need for more, and more inexpensive furniture being met by simplification of style, and construction without much depreciation in quality; later the fine traditions of the 18th century lost in the fight for cheaper goods .
    Although we may condemn 19th century furniture as lacking in refinement, and reflecting the materialistic outlook of the Victorians
    towards their leisure, as well as their work, it is difficult to find fault with the comfort of their chairs. The introduction of the coil spring for the first time at the beginning of the 19th century was to open up wide possibilities in the design of comfortable chairs, Improvements in artificial lighting must have done much to encourage people to sit and read or do some hobby rather then retire to bed. By the 1830’s the idea that relaxing was not quite the thing was dying fast.
    The first deep spring chairs seem to have been installed in the men’s clubs round St.James and Piccadilly, but quickly found their way into the Victorian home. The Victorians were well aware of the fact that comfort in chairs tends to be s personal matter, and that there
    Should be specially designed chairs for women as well as men. A study of Victorian furniture catalogues reveals the enormous range of styles and sizes in upholstered furniture in fact the Victorian Age can be called the Age of the upholsterer.

  • The history of upholstered furniture, PART 1

    1
    In the world of today comfort in sitting plays an important
    part whether we are travelling, working in an office, visiting the
    cinema or relaxing at home. The importance of sitting comfortably
    has a relatively short history, in fact the history of British chairs
    can be covered by some 400 years. Before attempting to solve some of
    the problems of today perhaps it is as well to consider the attitude
    towards sitting in the past, and the ways in which these needs are met.
    Almost all chairs up to the beginning of the 17tb century seem
    to have been designed on the lines of thrones; in other words, as
    chairs in which one sat with dignity rather than comfort, the hardness of the framed and panelled construction possibly being relieved by a cushion of padding of wool, horsehair, and feathers.
    To be chosen to be the head of a meeting, court or assembly
    gave one the honour of sitting in a chair, rather than on a stool or
    the floor, and so the word chairman has remained to this day. Even in
    the Elizabethan theatres it was considered normal to stand when watching a play. To be seen relaxing or reclining was considered to be bad manners, as well as showing weakness of character. This attitude towards sitting remained until well into the 19th century.
    The 17th century saw a big step forward in the standards of
    comfort in English homes. We find chairs becoming much more common,
    and upholstery an integral part of the design of the chairs. But it is
    in the beginning of the 18th century that we see for the first time
    chairs being thought of as truly upholstered chairs; in other words
    the frame work being designed from the point of view of a Skeleton to
    Support the flesh and “muscle” of the upholstery. Queen Anne wing-arm chairs are superb examples of the upholsterer’s art, but it must be
    remembered that these chairs, although extremely comfortable did not allow for very relaxed sitting. The height and depth of the seat together with the angle of the back did not allow for this.
    The rest 18th century saw the development of British furniture to a high level of design, and manufacture and is often referred to as the “Golden Age of Furniture”.

  • Highest quality workmanship and service guaranteed

    At Cover It Upholstery Sydney we strive to give you the highest quality workmanship and service. We service all suburbs of Sydney, including Inner West, Eastern Suburbs, Northern Suburbs, Northern Beaches, Sydney CBD and Sutherland Shire. Just send an email with a photo of any furniture to be recovered to [email protected] and we’ll be able to give you an estimate on what the cost might be and if you like can then come to see you with fabric, vinyl or leather samples and give you a written quote. Should you accept our quote and assuming the fabric is available we can generally pick up your furniture within 2 weeks and return it to you in one to two weeks depending on the work involved. See our website: http://www.cover-it.com.au.